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Keep going

by Connie Kaldor

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1.
Keep going 03:14
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KEEP GOING Connie Kaldor @ word of mouth music SOCAN Need a buck and you got a dime Keep going You’re out of luck, working overtime Keep going You are wrong every time you try Keep going The road is long, the mountain’s high Keep going You hope the tunnels got a light But it’s too dark to tell Remember, if you’re going through hell Keep going . You’re in a pinch and life is hard Keep going You get an inch when you need a yard Keep going 8 more hours and you are beat Keep going You have sour when you want sweet Keep going You hope the tunnels got a light But it’s too dark to tell Remember, if you’re going through hell Keep going . Someones cheating and its not fair Keep going Some are eating while your plate’s bare Keep going When what you’re facing is crazy town Keep going If something’s chasing you don’t slow down Keep going You hope the tunnels got a light But it’s too dark to tell Remember, if you’re going through hell Keep going . On a slippery slope, you better take care Keep going At the end of your rope, climb back up there Keep going Cause who wants to stay where you’ve taken a hit Get through, get around, or get over it Keep going You hope the tunnels got a light But it’s too dark to tell Remember, if you’re going through hell Keep going .
2.
Pain and Sorrow 03:29
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PAIN AND SORROW 3:29 Connie Kaldor @word of mouth music SOCAN Pain and sorrow at your side And a heart too heavy to carry You’ve got a small small shovel and hard hard ground And a lot of troubles to bury You can count the minutes but they are long You can share your sorrows with an old blues song They know about troubles and burdens to bear And that anyone can end up there Pain and sorrow at your side And a heart too heavy to carry You’ve got a small small shovel and hard hard ground And a lot of troubles to bury You sometimes wish you didn’t care But that’s not how you want to live Disappointments hard to bear It’s all take and no forgive Pain and sorrow at your side And a heart too heavy to carry You’ve got a small small shovel and hard hard ground And a lot of troubles to bury You know that “this too shall pass “ Despair and hope each have their place But trouble’s got you and it’s holding fast And you have this day to face Pain and sorrow at your side And a heart too heavy to carry You’ve got a small small shovel and hard hard ground And a lot of troubles to bury Lead vocal and piano: Connie Kaldor Choir: Gabriel Campagne, Paul Campagne, Michelle Campagne, Mia Gallant, Aleksi Campagne Electric Guitar: Zacharie Bachand, Bass: Stéphane Krims This was written in the car driving though the prairies after seeing a friend deal with unforeseen trouble and the fall out afterwards. It seemed like hymn material to me. Theres something about looking at that prairie vista that puts things into perspective and helps us see the universal in it all. For me singing about something always makes it better.
3.
Leads to a Kiss 03:33
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LEADS TO A KISS. 3:33. CONNIE KALDOR @ word of mouth music SOCAN Is this what leads to a kiss? Have i read the signals well? ‘Cause it’s often hit or miss Sometimes it’s hard to tell But if i ignore all these signs will i be remiss ? Is this what leads to a kiss? Is this what leads to a kiss? Or is it only in my head? Only coming from one side? Does that look mean ”walk on by“? Or is it ”welcome to the ride“? Is this the moment we’ll talk about when we reminisce? Is this what leads to a kiss? Is this what leads to a kiss? Should i get a little close? Put my number in your phone? Between right now and heaven knows Could we find ourselves alone? Because you make my knees melt like that chocolate made by the Swiss Is this what leads to a kiss? Is this what leads to a kiss? And will it lead to hellos And peeling off clothes Or a kiss on the cheek? Oh god not one of those, Not one of those. ‘Cause there’s this pause when our eyes meet That lasts a little too long And the smile you gave’s so sweet I hope i haven’t got this wrong. Is there a map that will show me where i stand in all of this? Is this what leads to a kiss? Is this what leads to a kiss? Is this what leads to a kiss? The vocal, guitar and bass were recorded live off the floor, one continuous take, no overdubs. Lead Vocal and piano, Connie Kaldor Electric guitar: Zacharie Bachand Bass: Stéphane Krims Drums: Oisín Hannigan I think I may have watched too many rom coms in 2020, I was imagining a scene where there are two people and their eyes meet at an event like an art gallery opening and the jazz combo would be playing this song. Its an old fashioned style with an old fashioned sentiment, the kiss, but some things just never go out of style.
4.
Set You Free 02:54
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SET YOU FREE. 2:52. C. KALDOR @ word of mouth music SOCAN He told you, you weren’t good enough It’s over and goodbye Why do you believe that little lie? Your kind of love sticks by through thick and thin And you had more of thin than thick Still you put your shoulder to his wheel and Built your house brick by brick by brick Did you forget How it felt before The bed springs were shot And the slamming of the door? I wonder when you’ll realize I wonder when you’ll see? He didn’t let you go He set you free i know you promised to love forever Did you forget that he promised too? And he broke that promise a few times before He broke up with you But you pinched your pennies worked your fingers to the bone All that worry in your voice on the telephone How many bills were piled up at your door? How many dreams that you had Weren’t there anymore? I wonder when you’ll realize I wonder when you’ll see? He didn’t let you go He set you free You’re stronger than you’ll ever know Someday you’ll cut your losses and then look at you go I wonder when you’ll realize I wonder when you’ll see? He didn’t let you go He set you free Lead vocal, piano Connie Kaldor Guitars; Zacharie Bachand Bass: Stéphane Krims Drums: Aaron Dohlman More of a “heartmend” song as opposed to a heartbreak song, it’s a poignant reminder to listeners that often, being dumped may be a blessing in disguise.
5.
Daffodil 02:45
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DAFFODIL 2:46 C. Kaldor @word of Mouth Music SOCAN Spring made it here yesterday But winter wouldn’t let her be He strutted in last night and Covered all with white. As if to say “ that belongs to me” And spring just smiled her smile And whispered to the shoots He’s mad because he’s used to having sway But the world keeps going round In a day or two he’s bound To realise that change is here to stay There’s a yellow daffodil that opened anyway I kind of think it’s proud of being bold Saying “ blooms may come and go But I’m the first to show I am strong enough to brave the cold” And looking out my window i learned a thing or two Troubles blow in and they always will And I can sit and wait, I can curse my fate But as for me I’d rather be That daffodil. Acoustic Guitar vocal: Connie Kaldor, Additional acoustic guitars: Paul Campagne Zacharie Bachand Written while looking out my window, practicing a new picking pattern.
6.
Sad is Your Passing 02:49
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SAD IS YOUR PASSING. 2:49. Connie Kaldor. @word of mouth music SOCAN Sad is your passing, but your living was grand How you played and you sang along with the band How you loved to go dancing You were light on the floor You were always the last one out of the door Sad is your passing, but your living was grand How you made someone’s life just by taking their hand How you took all your troubles And you made them work out ‘Cause you knew that joy is what life’s all about Sad is your passing but your living was grand You were dear to us all and that’s why we stand And raise up a glass of our favourite brew And toast all the things that we loved about you And all of those things would make a long list Sad is your passing, you will be missed Piano and vocal:Connie Kaldor BG Vocal: Gabriel Campagne Violin: Aleksi Campagne Bass: Stéphane Krims Oisín Hannigan: Bodhran Steáfán Hannigan: Uilliann pipes, flute There have been so many great friends lost in the last while.
7.
Woman Who Pays 04:37
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THE WOMAN WHO PAYS 4:36 C. Kaldor @word of mouth music SOCAN When times get tough and the anger reigns It’s the woman who pays Same old story again and again It’s the woman who pays A woman a week dead in Montreal It’s the woman who pays The last in a line of 911 calls It’s the woman who pays How many angry lies are said? How many kids hiding under their bed? What is the cost of that roof over their head ? It’s the woman who pays It’s the woman who pays You can blame it on the drugs and the alcohol It’s the woman who pays Loss of anger control pushed her through the wall It’s the woman who pays How many kicks on the kitchen floor Waiting for the cops pounding at the door ? How long till he says he won’t do it anymore? It’s the woman who pays It’s the woman who pays He doesn’t like her friends, doesn’t like her hair It’s the woman who pays And when he doesn’t like something then she better beware It’s the woman who pays He says that he’s rich so they’ll never believe Just put on your smile and your longer sleeves And he’ll hunt her down and kill her and the kids if she leaves It’s the woman who pays It’s the woman who pays She’ll have to press charges or they’ll let him go It’s the woman who pays Fear is the bruise that doesn’t show It’s the woman who pays How many hits till he calls a halt? Every time its all her fault What is domestic about assault? It’s the woman who pays It’s the woman who pays It’s the woman who pays Acoustic guitar and lead vocal: Connie Kaldor Electric guitar. Suzie Vinnick Additional guitar Zach Bachand Bass: Stéphane Krims In 2021 there were 8 women in 8 weeks killed by their partners. One of those women was someone who my daughter in law knew from high school. Amidst all the talk on radio and television around the protest that was launched I kept thinking Its the woman who pays. Suzie Vinnick was so gracious to contribute her brilliant guitar playing to this track.
8.
Wild One 03:47
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WILD ONE 3:47 C. Kaldor @word of mouth music SOCAN She’s a wild one She never walked she always ran She’s a wild one Climb any tree saying “yes I can “ She’s a wild one No fence in town she couldn’t leap And no promise she made she wouldn’t keep They blamed her for every choice that her mama made But they’d all line up at her mama’s door the minute they got paid She’s a wild one She’d win every race and folks would shake their heads She’s a wild one In a world of beige she was neon red She’s a wild one Bought a truck and painted it electric blue And fast, was the only speed she knew Her mama said there’s no reason that you’ll do what i have done I have made my mistakes but honey you’re not one. You’re strong as a prairie storm Pretty as a sunset sky And like that hawk overhead You were made to fly You’re a wild one She’s a wild one She’s got a smile goes right to her eyes She’s a wild one Top of the class to everyone’s surprise She’s a wild one The last day of school that town in her rearview mirror Everyone knew she was never ever coming back here Her mama said “Go live your life and don’t you ever feel shame ‘Cause some folks cannot stand what they cannot tame.” You’re strong as a prairie storm Pretty as a sunset sky And like that hawk overhead You were made to fly You’re a wild one You’re strong as a prairie storm Pretty as a sunset sky And like that hawk overhead You were made to fly You’re a wild one Beautiful wild one You’re a wild one Acoustic guitar and vocal Connie Kaldor Electric Guitar: Zach Bachand BAss: Stéphane Krims Drums: Aaron Dohlman BG vocals: Michelle Campagne, Paul Campagne In homage to the women of the prairies, “Wild One” celebrates all those grand souls out there that are told they are too loud, too fast, too excited about things, don’t know their place, have too many ideas, and should slow down and try to fit in. You are “as strong as a prairie storm
9.
Solo Clarinet 03:38
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There’s nothing lonelier than a solo clarinet But when Emily plays she’s as happy as a laugh She sends her melodies floating down her street Through the window of her 1 and 1/2 Emily’s got a landlord And he’s lonely and he’s mean But he hates to be reminded of that But every time he hears her play her clarinet He pounds on the ceiling of her flat You can’t please everyone But there’s always some you do Music is a lifeline as we drift No you can’t please everyone But even if that’s true Never doubt the beauty of the gift. Emily has to play a little every day That’s the only way you stay any good It takes a lot of practice to get sweet notes Out of a little bit of reed and wood There’s someone walking down her street Someone she’ll never meet But he stops and listens to her play And something in that lonely played so sweet Is what gets him through another day. You can’t please everyone There’s always some you do Music is a lifeline as we drift No you can’t please everyone But even if that’s true Never doubt the beauty of the gift. You can’t please everyone There’s always some you do Music is a lifeline as we drift No you can’t please everyone But even if that’s true Never doubt the beauty of the gift Never doubt the beauty of the gift Classical arrangement Stéphane Krims Piano and vocal: Connie Kaldor Bass: Stéphane Krims Violin: Aleksi Campagne Cello: Stéphane Krims Featuring on Clarinet: Emily Grey Drums Aaron Dohlman "Solo Clarinet" draws inspiration from a friend's apartment woes and the ‘challenging’ landlord who lived upstairs. It’s difficult finding affordable housing nowadays, particularly for musicians who also need a space that allows them to practise their instrument. From Kaldor’s perspective, “this chorus is something I still need to hear myself.” If she had any advice to give young musicians, it’s this chorus: “You can’t please everyone, but there’s always some you do. Music is a lifeline as we drift. No you can’t please everyone, but even if that’s true, never doubt the beauty of the gift.”
10.
Without You 02:42
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WITHOUT YOU. C. Kaldor. © word of mouth music SOCAN I can’t take another step without you I’ll just stop here for a while Let the world go rushing round about me I’ll just stop here for a while What was two is now just one What was new is now all done I will gather up my things without you All the bitter and the sweet I will gather strength within without you I will get back on my feet What was two is now just one Days go through but i’m undone I will find a way to live without you I don’t know how I don’t know where I will gather all my friends about me I will get by in their care What was two is one again Things to do but until then I can’t take another step without you I’ll just stop here for a while
11.
Not a Sentimental Song 04:19
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NOT A SENTIMENTAL SONG C. KALDOR @ word of mouth music SOCAN This is not a sentimental song That wouldn’t be enough For love that brought us all the best of times and Got us through the rough, No This is not a sentimental song That just wouldn’t do For the love that goes from you to me and Back from me to you Cause the sun’s not sentimental But it shows up every day And it warms us and everyone around And that’s what this song should say This is not a sentimental song Like you hear on TV Full of all the little things They say that love should be, no This is not a sentimental song No on your knees, caught on a phone No this is years and years of eyes that meet Chasing back the “I’m alone “ Cause the river’s not sentimental It gets stronger every day And it’s beauty and it’s fierce That’s what this song should say No this is not a sentimental song No four line verse found on a card It’s things that last like having kids and And planting trees in the backyard It might deserve some strings But only if they’re real And a haunting sweet reflection Of the depth of what I feel Cause the stars aren’t sentimental But they always shine above And the north star always leads us home That is like our love This is not a sentimental song No This is not a sentimental song This is not a sentimental song

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released October 20, 2023

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Connie Kaldor Montreal, Québec

Folk icon Connie Kaldor, CM is celebrating 45 years in show business with her upcoming 18th album! Three-time juno-award winner, she began her career in the Canadian wave alongside artists Stan Rogers, Ferron, and Valdy. “A masterful performer, wildly funny one moment, deeply personal the next.”—The Boston Globe ... more

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